Antiheroes come in shades of grey. Lou is the darkest of dark grey. He would be black in any story that didn’t feature him as the protagonist. There is not much redeeming to him. He is willing to manipulate and harm people to justify his own ends. Dan Gilroy, the writer of the film, describes him as a sociopath and refers to the film as an antihero success story.
The introductory scene brings Lou’s darkness out in a quick two pages. It is not available on YouTube unfortunately. So here is the scene in screenplay form.
In two pages, Lou gets established as a creepy man who shouldn’t be trusted by people. Common story convention says to introduce your main character doing something that shows us who we are. So we begin here with our sociopathic antihero cutting a chainlink fence. As he notices that he is not alone, he turns and gives this charming yet unsettling smile.
It’s not in the screenplay but it gives us our first impression of Lou. This is the first we actually see of him as the shot prior to this had him in the dark. Jake Gyllenhall killed it with his starved coyote look.
He seems so feral in both appearance and in how he moves. When the security guard’s light hits him, he reacts like a nocturnal animal caught in headlights. He gives his first words, a lie to get the guard’s defenses down. He feigns not knowing what he’s doing. We can tell he’s done this sort of thing his whole life. There is no worry nor tremble in Lou once he’s caught.
He smiles wider and advances toward the officer, where he can get a better look at what he’s dealing with. His confidence grows once he sees that his opposition is only a security guard. He takes out his ID, continues his lie until he’s close enough to pounce.
We are given this image to close out the opening sequence.
The fate of the guard is left up to our imagination. After seeing the entire film through and see what Lou is capable of, it’s scary to imagine just what he could have done to this man.